The Valentinos' " I Can Understand It ", which paved the way for the band's future success. I n 1972, the reorganized group (as a 17-piece ensemble) reached the Billboard R&B top 10 (#4 R&B, #35 pop) with their cover of Bobby Womack and Finding that they had the spark that was missing from the New Birth ensemble, he paired them with the Nite-Liters and original members of New Birth, Londee Loren, Bobby Downs and Alan Frye. Later that year, Bullock discovered a group from Detroit, Michigan called Love, Peace & Happiness, which featured former Marvelettes singer Ann Bogan and brothers Leslie and Melvin Wilson. Their second album, Ain't No Big Thing, But It's Growing, yielded a minor hit with their cover of Perry Como's " It's Impossible", in 1971. The band came together in 1970 with their self-titled debut on RCA.
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After discovering a male vocal group, The Now Sound, which featured Bobby Downs, Ron Coleman, Gary Young and George "Slim" House and also a female vocal group, known as Mint Julep, which featured Londee Loren, Tanita Gaines, Janice Carter and Pam Swent, they brought them together with The Nite-Liters plus additional vocalist, Alan Frye, calling the newly formed ensemble, New Birth. In 1969, Vernon Bullock had thought of creating an ensemble of groups for a touring company and Harvey Fuqua and Tony Churchill soon took an interest.
The Nite-Liters had a few hits before the formation of New Birth proper, including "K-Jee" (#17 R&B, #39 pop, 1971). Some sources identify The Nite-Liters as the band that played as "The Crawlers" with Chicago artist Alvin Cash on his R&B #1 1964 hit, "Twine Time". Earlier members included Johnny Graham, later of Earth, Wind & Fire and Jerry Bell. In its heyday, besides Churchill on tenor sax and vibes, the band featured Charlie Hearndon on guitar, James Baker on keyboards, Robin Russell on drums, Robert "Lurch" Jackson on trumpet, Austin Lander on baritone sax, Leroy Taylor on bass, and, later, Carl McDaniel on guitar.
The motel inspired their sweet song about an independent-minded, hazel-eyed, “peachy kind of girl.” Top session man Billy Preston played acoustic piano on the track.The history of the group began with the instrumental outfit, The Nite-Liters, which was originally formed in 1963 in Louisville, Kentucky by Tony Churchill and Harvey Fuqua. Photographer Peter Beard, who took Jagger and Richards to the motel, said that the ageing couple who owned the establishment took a dislike to the musicians, but Jagger liked the name and used it anyway. It was inspired by a visit to the Memory Motel in Montauk, East Hampton, while the band were hanging out with artist Andy Warhol. The seven-minute ballad “Memory Motel,” which was written by Mick Jagger and Keith Richards, has been a favorite live song for The Rolling Stones for decades. Best Rolling Stones 70s Songs: 20 Rock’n’Roll Classics 20: Memory Motel ( Black And Blue, 1976) Listen to The Rolling Stones’ Honk collection on Apple Music and Spotify, and scroll down to read out pick of the 20 best Rolling Stones 70s songs. Think we’ve missed some? Let us know in the comments section. Below are our picks of the timeless Rolling Stones songs that made the Stones such a force in the 70s.